La Haine Turns 20

“Heard about the guy who fell off a skyscraper? On his way down past each floor, he kept saying to reassure himself: So far so good... so far so good... so far so good.”

During the train ride from de Gaulle Airport into Paris, first time visitors are often taken aback by the wretched slums and crumbling housing projects that rather incongruously surround the world’s most beautiful city. Now celebrating its 20th birthday, Mathieu Kassovitz’s heartbreakingly superb La Haine (The Hate) offers a frank and intimate portrait of life in these rugged environs. Told through the disillusioned eyes of three young men (Vincent Cassel. Hubert Koundé and Saïd Taghmaoui), the film presents a world devoid of hope and prospects that more closely resembles a war zone than a suburban neighborhood.

Over the next 24 hours, we will follow this misbegotten threesome as they roam their forlorn concrete jungle, with blasting hip hop and gangsta posturing their only relief from angry gendarmes and the constant allure of petty crime. But when Cassel’s Vinz finds a missing policeman’s pistol, those temptations turn violent. For the first time in his life, Vinz feels powerful and important. To these lost souls, the gleaming steel of the revolver becomes a symbol, and Vinz’s judgment and maturity will face a deadly test.

La Haine is a film rich in atmosphere and cultural detail, with Pierre Aïm’s harsh monochromic images perfectly mirroring the characters’ psychological landscapes. The film caused quite a stir on its release, for it was the first time many French citizens had been exposed to hip hop culture, and the growing social disfunction among their immigrant community. The film itself amplifies this sense of separation and obliviousness. When the trio go into central Paris to collect a debt, they’re awestruck at the city’s genteel splendor, and eventually feel a type of nostalgia for their squalid flats. The violent disaffection with society depicted in La Haine is not unique to French youth and, in the ensuing decades, has made its way to virtually every industrialized nation. The core issues haven’t changed, they’ve just gotten worse.

La Haine Turns 20

“Heard about the guy who fell off a skyscraper? On his way down past each floor, he kept saying to reassure himself: So far so good... so far so good... so far so good.”

During the train ride from de Gaulle Airport into Paris, first time visitors are often taken aback by the wretched slums and crumbling housing projects that rather incongruously surround the world’s most beautiful city. Now celebrating its 20th birthday, Mathieu Kassovitz’s heartbreakingly superb La Haine (The Hate) offers a frank and intimate portrait of life in these rugged environs. Told through the disillusioned eyes of three young men (Vincent Cassel. Hubert Koundé and Saïd Taghmaoui), the film presents a world devoid of hope and prospects that more closely resembles a war zone than a suburban neighborhood.

Over the next 24 hours, we will follow this misbegotten threesome as they roam their forlorn concrete jungle, with blasting hip hop and gangsta posturing their only relief from angry gendarmes and the constant allure of petty crime. But when Cassel’s Vinz finds a missing policeman’s pistol, those temptations turn violent. For the first time in his life, Vinz feels powerful and important. To these lost souls, the gleaming steel of the revolver becomes a symbol, and Vinz’s judgment and maturity will face a deadly test.

La Haine is a film rich in atmosphere and cultural detail, with Pierre Aïm’s harsh monochromic images perfectly mirroring the characters’ psychological landscapes. The film caused quite a stir on its release, for it was the first time many French citizens had been exposed to hip hop culture, and the growing social disfunction among their immigrant community. The film itself amplifies this sense of separation and obliviousness. When the trio go into central Paris to collect a debt, they’re awestruck at the city’s genteel splendor, and eventually feel a type of nostalgia for their squalid flats. The violent disaffection with society depicted in La Haine is not unique to French youth and, in the ensuing decades, has made its way to virtually every industrialized nation. The core issues haven’t changed, they’ve just gotten worse.

Today in Bunched History: A Matter of Taste (2000) ✭✭✭

Originally posted May 26, 2010



A Matter of Taste is a well executed film: excellent production, nicely photographed and well acted. But by the time it’s over, like the principle characters, you may find yourself feeling a bit empty. This anti-romance details the growing dependency between a filthy rich CEO (Bernard Giraudeau) and a handsome young waiter (Jean-Pierre Lorit) back during the last days of the 1990’s financial bubble. The two meet during a business dinner and Giraudeau, oddly fascinated by his young server’s demeanor and ability to identify complex culinary seasonings, hires Lorit at an astronomical sum to serve as a personal food taster.


This premise is not as preposterous as it sounds for director Bernard Rapp does a good job of selling us on Giraudeau’s unique superstitions and paranoid fears. The story appears to be headed one direction – a burgeoning gay relationship, despite the character’s protestations - but the bond between the two men slowly develops into something much larger and more mysterious than mere physicality. Giraudeau seeks a mental and physiological oneness with his young employee that can only be achieved by Lorit’s complete and absolute fealty to his employer and, to that purpose, Giraudeau sets out to break the young man’s will and utterly subjugate Lorit’s individuality.


There is really nothing romantic going on here at all. The goal is sheer unvarnished power; the power to own, and the power to remake in one’s image. Yet, Giraudeau’s authoritarian experiment makes him surprisingly vulnerable, for what is a deity without worshippers?  So whenever Lorit finds the head games just too much to bear, it is Giraudeau who must come crawling back, laden with abject apologies. If Bernard Rapp is guilty of anything it’s overstating, as he does not seem to know how to end this cycle of abuse and contrition.


The stakes get larger and larger until ultimately the whole story ceases to be a metaphorical fable and becomes an embarrassing self parody.  As an audience we feel cheated, for we have dutifully followed this trail down many blind and increasingly far-fetched alleys, only to have the entire construction topple into a heap of melodramatic hokum. A Matter of Taste does many things well, but at its conclusion, the only thing this reviewer felt was a vague sense of relief. Similar to when a neighbor's blaring car alarm finally shuts off.

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Today in Bunched History: A Matter of Taste (2000) ✭✭✭

Originally posted May 26, 2010



A Matter of Taste is a well executed film: excellent production, nicely photographed and well acted. But by the time it’s over, like the principle characters, you may find yourself feeling a bit empty. This anti-romance details the growing dependency between a filthy rich CEO (Bernard Giraudeau) and a handsome young waiter (Jean-Pierre Lorit) back during the last days of the 1990’s financial bubble. The two meet during a business dinner and Giraudeau, oddly fascinated by his young server’s demeanor and ability to identify complex culinary seasonings, hires Lorit at an astronomical sum to serve as a personal food taster.


This premise is not as preposterous as it sounds for director Bernard Rapp does a good job of selling us on Giraudeau’s unique superstitions and paranoid fears. The story appears to be headed one direction – a burgeoning gay relationship, despite the character’s protestations - but the bond between the two men slowly develops into something much larger and more mysterious than mere physicality. Giraudeau seeks a mental and physiological oneness with his young employee that can only be achieved by Lorit’s complete and absolute fealty to his employer and, to that purpose, Giraudeau sets out to break the young man’s will and utterly subjugate Lorit’s individuality.


There is really nothing romantic going on here at all. The goal is sheer unvarnished power; the power to own, and the power to remake in one’s image. Yet, Giraudeau’s authoritarian experiment makes him surprisingly vulnerable, for what is a deity without worshippers?  So whenever Lorit finds the head games just too much to bear, it is Giraudeau who must come crawling back, laden with abject apologies. If Bernard Rapp is guilty of anything it’s overstating, as he does not seem to know how to end this cycle of abuse and contrition.


The stakes get larger and larger until ultimately the whole story ceases to be a metaphorical fable and becomes an embarrassing self parody.  As an audience we feel cheated, for we have dutifully followed this trail down many blind and increasingly far-fetched alleys, only to have the entire construction topple into a heap of melodramatic hokum. A Matter of Taste does many things well, but at its conclusion, the only thing this reviewer felt was a vague sense of relief. Similar to when a neighbor's blaring car alarm finally shuts off.

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News from Cannes 2015: And the Winners Are….

MAIN COMP

Palme d’Or: “Dheepan” (Jacques Audiard, France)

Grand Prix: “Son of Saul” (Laszlo Nemes, Hungary)

Director: Hou Hsiao-hsien, “The Assassin” (Taiwan)

Actor: Vincent Lindon, “The Measure of a Man” (France)

Actress (tie): Emmanuelle Bercot, “Mon roi” (France), and Rooney Mara, “Carol” (U.K.)

Jury Prize: Yorgos Lanthimos, “The Lobster” (Greece-Ireland-U.K.-Netherlands-France)

Screenplay: Michel Franco, “Chronic” (Mexico-France)

Palme d’Honneur: Agnes Varda

Camera d’Or: “Land and Shade” (Cesar Augusto Acevedo, Colombia)

Short Films Palme d’Or: “Waves ’98” (Ely Dagher)

Ecumenical Jury Prize: “My Mother” (Nanni Moretti)

UN CERTAIN REGARD

Un Certain Regard Prize: “Rams” (Grimur Hakonarson, Iceland-Denmark)

Jury prize: “The High Sun” (Dalibor Matanic, Croatia-Slovenia-Serbia)

Director: Kiyoshi Kurosawa, “Journey to the Shore” (Japan-France)

Un Certain Talent Prize: Corneliu Porumboiu, “The Treasure” (Romania)

Special Prize for Promising Futures (tie): “Nahid” (Ida Panahandeh, Iran) and “Masaan” (Neeraj Ghaywan, France-India)

DIRECTORS’ FORTNIGHT

Art Cinema Award: “The Embrace of the Serpent” (Ciro Guerra, Colombia)

Society of Dramatic Authors and Composers Prize: “My Golden Days” (Arnaud Desplechin, France)

Europa Cinemas Label: “Mustang” (Deniz Gamze Erguven, France-Turkey-Germany)

CRITICS’ WEEK

Grand Prize: “Paulina” (Santiago Mitre, Argentina-Brazil-France)

Visionary Prize: “Land and Shade”

Society of Dramatic Authors and Composers Prize: “Land and Shade”

FIPRESCI

Competition: “Son of Saul” (Laszlo Nemes, Hungary)

Un Certain Regard: “Masaan”

Critics’ Week: “Paulina”

Final aggregate ratings for all films at the festival can be found HERE.

News from Cannes 2015: And the Winners Are….

MAIN COMP

Palme d’Or: “Dheepan” (Jacques Audiard, France)

Grand Prix: “Son of Saul” (Laszlo Nemes, Hungary)

Director: Hou Hsiao-hsien, “The Assassin” (Taiwan)

Actor: Vincent Lindon, “The Measure of a Man” (France)

Actress (tie): Emmanuelle Bercot, “Mon roi” (France), and Rooney Mara, “Carol” (U.K.)

Jury Prize: Yorgos Lanthimos, “The Lobster” (Greece-Ireland-U.K.-Netherlands-France)

Screenplay: Michel Franco, “Chronic” (Mexico-France)

Palme d’Honneur: Agnes Varda

Camera d’Or: “Land and Shade” (Cesar Augusto Acevedo, Colombia)

Short Films Palme d’Or: “Waves ’98” (Ely Dagher)

Ecumenical Jury Prize: “My Mother” (Nanni Moretti)

UN CERTAIN REGARD

Un Certain Regard Prize: “Rams” (Grimur Hakonarson, Iceland-Denmark)

Jury prize: “The High Sun” (Dalibor Matanic, Croatia-Slovenia-Serbia)

Director: Kiyoshi Kurosawa, “Journey to the Shore” (Japan-France)

Un Certain Talent Prize: Corneliu Porumboiu, “The Treasure” (Romania)

Special Prize for Promising Futures (tie): “Nahid” (Ida Panahandeh, Iran) and “Masaan” (Neeraj Ghaywan, France-India)

DIRECTORS’ FORTNIGHT

Art Cinema Award: “The Embrace of the Serpent” (Ciro Guerra, Colombia)

Society of Dramatic Authors and Composers Prize: “My Golden Days” (Arnaud Desplechin, France)

Europa Cinemas Label: “Mustang” (Deniz Gamze Erguven, France-Turkey-Germany)

CRITICS’ WEEK

Grand Prize: “Paulina” (Santiago Mitre, Argentina-Brazil-France)

Visionary Prize: “Land and Shade”

Society of Dramatic Authors and Composers Prize: “Land and Shade”

FIPRESCI

Competition: “Son of Saul” (Laszlo Nemes, Hungary)

Un Certain Regard: “Masaan”

Critics’ Week: “Paulina”

Final aggregate ratings for all films at the festival can be found HERE.

The Wind and the Lion Turns 40

“I’ve only met one real pirate in my life. His name is J.P. Morgan.” Teddy Roosevelt

Released 40 years ago, The Wind and the Lion is an action spectacular that re-imagines history on an epic scale. Written and directed by the testosterone fueled John Milius, the film tells the story of a dashing Islamist warlord named Raisuli (Sean Connery) who kidnaps a wealthy American widow (Candace Bergen) and her two children in Morocco circa 1904. While Connery’s immediate objective is to win land and other concessions from his nephew the Sultan (Marc Zuber), his actions gain the attention of American president Teddy Roosevelt (Brian Keith), who’s looking for a military adventure to help his chances in the upcoming election.

While the President and Raisuli engage in a long distance battle of wills, something like a grudging respect develops between the two men. As Roosevelt campaigns across America, with promises of revenge lifting his poll numbers to the stratosphere, back in Morocco, Bergen begins to see her gallant captor in a more romantic light. But this is merely the calm before the storm, for soon a battalion of Marines - complete with a brass band - reaches the dusty streets of Tangier and, to put it mildly, all hell breaks loose.

Nominated for two Oscars, The Wind and the Lion is the type of movie one should just enjoy as spectacle and not think about too much. The archaic ideas presented here are guaranteed to offend just about everyone, regardless of religious or political stripe. Its depiction of noble, genteel terrorists is tough to take seriously in a post 9/11 world, and the film’s portrayal of French and German diplomats reenforces every xenophobic stereotype in the book. Yet if one can get past these obstacles, including Sean Connery’s Moor with a Scottish burr, the film offers entertainment aplenty. And if you love movies where lots of stuff blows up, you’re in for a real treat.

The Wind and the Lion Turns 40

“I’ve only met one real pirate in my life. His name is J.P. Morgan.” Teddy Roosevelt

Released 40 years ago, The Wind and the Lion is an action spectacular that re-imagines history on an epic scale. Written and directed by the testosterone fueled John Milius, the film tells the story of a dashing Islamist warlord named Raisuli (Sean Connery) who kidnaps a wealthy American widow (Candace Bergen) and her two children in Morocco circa 1904. While Connery’s immediate objective is to win land and other concessions from his nephew the Sultan (Marc Zuber), his actions gain the attention of American president Teddy Roosevelt (Brian Keith), who’s looking for a military adventure to help his chances in the upcoming election.

While the President and Raisuli engage in a long distance battle of wills, something like a grudging respect develops between the two men. As Roosevelt campaigns across America, with promises of revenge lifting his poll numbers to the stratosphere, back in Morocco, Bergen begins to see her gallant captor in a more romantic light. But this is merely the calm before the storm, for soon a battalion of Marines - complete with a brass band - reaches the dusty streets of Tangier and, to put it mildly, all hell breaks loose.

Nominated for two Oscars, The Wind and the Lion is the type of movie one should just enjoy as spectacle and not think about too much. The archaic ideas presented here are guaranteed to offend just about everyone, regardless of religious or political stripe. Its depiction of noble, genteel terrorists is tough to take seriously in a post 9/11 world, and the film’s portrayal of French and German diplomats reenforces every xenophobic stereotype in the book. Yet if one can get past these obstacles, including Sean Connery’s Moor with a Scottish burr, the film offers entertainment aplenty. And if you love movies where lots of stuff blows up, you’re in for a real treat.

TCM for June 2015

In June TCM has a little something for everyone: 50s Sci-fi, Antonioni, Kurosawa, The Caped Crusader and even the history of Tupperware. Is this a great network or what?

My picks below. All times Eastern. Full schedule HERE.

1 Monday

Long Hot Summer kicks off a Paul Newman festival on June 1st.

8:00 PM

LONG HOT SUMMER, THE (1958)

A drifter with a past brings a wealthy family's problems to a head.

Dir: Martin Ritt Cast:  Paul Newman , Joanne Woodward , Tony Franciosa .

C-117 mins, CC, Letterbox Format

10:15 PM

RALLY ROUND THE FLAG, BOYS! (1958)

The arrival of an Army missile base shatters the peaceful life of a suburban town.

Dir: Leo McCarey Cast:  Paul Newman , Joanne Woodward , Joan Collins .

C-107 mins, CC, Letterbox Format

12:15 AM

FROM THE TERRACE (1960)

A financial wizard is tempted to sacrifice his career for an affair.

Dir: Mark Robson Cast:  Paul Newman , Joanne Woodward , Myrna Loy .

C-144 mins, Letterbox Format

3:00 AM

RACHEL, RACHEL (1968)

A small town teacher tries to overcome her shyness.

Dir: Paul Newman Cast:  Joanne Woodward , James Olson , Kate Harrington .

C-101 mins, CC, Letterbox Format

4 Thursday

4:00 PM

BOYS' NIGHT OUT (1962)

A psychology student researches infidelity by becoming a platonic kept woman for four buddies.

Dir: Michael Gordon Cast:  Kim Novak , James Garner , Tony Randall .

C-113 mins, CC, Letterbox Format

6:00 PM

TRAVELS WITH MY AUNT (1972)

A stodgy young man gets caught up in his free-living aunt's shady schemes.

Dir: George Cukor Cast:  Maggie Smith , Alec McCowen , Lou Gossett .

C-109 mins, CC, Letterbox Format

5 Friday

Peter Lorre at his craven best in M.

6:00 AM

M (1931)

The mob sets out to catch a child killer whose crimes are attracting too much police attention.

Dir: Fritz Lang Cast:  Peter Lorre , Otto Wernicke , Gustav Grundgens .

BW-109 mins,

8:00 AM

LA BETE HUMAINE (1938)

A railroad engineer enters an affair with his friend's amoral wife.

Dir: Jean Renoir Cast:  Gerard Landry , Jacques Berlioz , Claire Gérard .

BW-97 mins,

6 Saturday

2:00 PM

HUNCHBACK OF NOTRE DAME, THE (1939)

A deformed bell ringer rescues a gypsy girl falsely accused of witchcraft and murder.

Dir: William Dieterle Cast:  Charles Laughton , Sir Cedric Hardwicke , Thomas Mitchell .

BW-117 mins, CC,

4:15 PM

BIG HEAT, THE (1953)

A police detective whose wife was killed by the mob teams with a scarred gangster's moll to bring down a powerful gangster.

Dir: Fritz Lang Cast:  Glenn Ford , Gloria Grahame , Jocelyn Brando .

BW-90 mins, CC,

6:00 PM

TO SIR, WITH LOVE (1967)

A substitute teacher changes the lives of the slum children in his class.

Dir: James Clavell Cast:  Sidney Poitier , Christian Roberts , Judy Geeson .

C-105 mins, CC, Letterbox Format

8:00 PM

MAN WHO WOULD BE KING, THE (1975)

Two con artists set out to take over a remote Asian land with a priceless golden treasure.

Dir: John Huston Cast:  Sean Connery , Michael Caine , Christopher Plummer .

BW-129 mins, CC, Letterbox Format

9 Sunday

8:00 PM

CLOSE ENCOUNTERS OF THE THIRD KIND (1977)

A blue-collar worker's encounter with a UFO leaves him a changed man.

Dir: Steven Spielberg Cast:  Richard Dreyfuss , François Truffaut , Terry Garr .

C-135 mins, CC, Letterbox Format

10:30 PM

THING FROM ANOTHER WORLD, THE (1951)

The crew of a remote Arctic base fights off a murderous monster from outer space.

Dir: Christian Nyby Cast:  Margaret Sheridan , Kenneth Tobey , Robert Cornthwaite .

BW-87 mins, CC,

2:30 AM

RASHOMON (1951)

In medieval Japan, four people offer conflicting accounts of a rape and murder.

Dir: Akira Kurosawa Cast:  Toshiro Mifune , Machiko Kyo , Takashi Shimura .

BW-88 mins,

Kurosawa's underrated Sanjuro on the 9th.

4:00 AM

SANJURO (1962)

A wandering samurai recruits younger fighters to help him battle corruption.

Dir: Akira Kurosawa Cast:  Toshiro Mifune , Tatsuya Nakadai , Takashi Shimura .

BW-96 mins, Letterbox Format

9 Tuesday

8:00 PM

GOING IN STYLE (1979)

Three elderly men decide to better their lot by robbing a bank.

Dir: Martin Brest Cast:  George Burns , Art Carney , Lee Strasberg .

C-97 mins,

10:00 PM

ANNIE HALL (1977)

A comedian and an aspiring singer try to overcome their neuroses and find happiness.

Dir: Woody Allen Cast:  Woody Allen , Diane Keaton , Tony Roberts .

C-93 mins, CC, Letterbox Format

11:45 PM

DOG DAY AFTERNOON (1975)

A man robs a bank to pay for his lover's operation.

Dir: Sidney Lumet Cast:  Al Pacino , John Cazale , Carol Kane .

C-125 mins, CC, Letterbox Format

De Niro is fantastic in Scorsese's Mean Streets.

2:00 AM

MEAN STREETS (1973)

A small-time hood must choose from among love, friendship and the chance to rise within the mob.

Dir: Martin Scorsese Cast:  Robert De Niro , Harvey Keitel , David Proval .

C-112 mins, CC, Letterbox Format

4:00 AM

SHAFT (1971)

A slick black detective enlists gangsters and African nationals to fight the mob.

Dir: Gordon Parks Cast:  Richard Roundtree , Moses Gunn , Charles Cioffi .

C-100 mins, CC, Letterbox Format

11 Thursday

11:00 AM

LOVE AND PAIN AND THE WHOLE DAMNED THING (1973)

An awkward young man and a shy older woman find comfort in each other on a Spanish tour.

Dir: Alan J. Pakula Cast:  Maggie Smith , Timothy Bottoms , Emiliano Redondo .

C-110 mins, CC,

1:15 PM

NIGHT HEAVEN FELL, THE (1958)

A convent girl vacationing in Spain finds herself in a romance with a murderer.

Dir: Roger Vadim Cast:  Brigitte Bardot , Alida Valli , Stephen Boyd .

C-91 mins, Letterbox Format

13 Saturday

2:00 AM

MANITOU, THE (1978)

A psychic's girlfriend finds out that a lump on her back is a growing reincarnation of a 400 year-old demonic Native American spirit.

Dir: William Girdler Cast:  Stella Stevens , Tony Curtis , Michael Ansara .

C-104 mins, CC, Letterbox Format

3:45 AM

TROG (1970)

A scientist tries to protect a caveman brought back from suspended animation.

Dir: Freddie Francis Cast:  Joan Crawford , Michael Gough , Bernard Kay .

C-91 mins, Letterbox Format

5:30 AM

WONDERFUL WORLD OF TUPPERWARE (1959)

This short industrial film focuses on the making of Tupperware.

Dir: George J. Yarbrough

C-29 mins,

18 Thursday

A day of Sci-fi begins with a visit to Forbidden Planet on the 18th.

8:30 AM

FORBIDDEN PLANET (1956)

A group of space troopers investigates the destruction of a colony on a remote planet.

Dir: Fred McLeod Wilcox Cast:  Walter Pidgeon , Anne Francis , Leslie Nielsen .

C-98 mins, CC, Letterbox Format

8:00 PM

FLY, THE (1958)

A scientist¿s experiments with teleportation produce a deadly hybrid.

Dir: Kurt Neumann Cast:  Al Hedison , Patricia Owens , Vincent Price .

C-94 mins,

9:45 PM

MOTHRA (1962)

After Godzilla kills a legendary giant moth, its offspring set out for revenge.

Dir: Inoshiro Honda Cast:  Franky Sakai , Hiroshi Koizumi , Kyoko Kagawa .

C-101 mins, Letterbox Format

11:45 PM

THEM! (1954)

Federal agents fight to destroy a colony of mutated giant ants.

Dir: Gordon Douglas Cast:  James Whitmore , Edmund Gwenn , Joan Weldon .

BW-92 mins, CC,

1:30 AM

WASP WOMAN, THE (1960)

A cosmetics executive's search for eternal beauty turn her into a monster.

Dir: Roger Corman Cast:  Susan Cabot , Fred Eisley , Barboura Morris .

BW-61 mins,

2:45 AM

SWARM, THE (1978)

Killer bees extend their territory into the U.S., with devastating effect.

Dir: Irwin Allen Cast:  Michael Caine , Katharine Ross , Richard Widmark .

C-116 mins, CC,

4:45 AM

COSMIC MONSTERS, THE (1958)

A scientist's experiments open the doorway to a strange and deadly world.

Dir: Gilbert Gunn Cast:  Forrest Tucker , Gaby Andre , Martin Benson .

BW-72 mins,

21 Sunday

Monica Vitti trudges through toxic waste in Red Desert.

2:00 AM

RED DESERT, THE (1964)

A housewife fighting insanity becomes involved with a man passing through town.

Dir: Michelangelo Antonioni Cast:  Monica Vitti , Richard Harris , Carlo Chionetti .

C-117 mins,

4:00 AM

L'ECLISSE (1962)

A man and women make an attempt at a futile love affair.

Dir: Michelangelo Antonioni Cast:  Monica Vitti , Alain Delon , Francisco Rabal .

BW-126 mins, Letterbox Format

23 Tuesday

4:45 PM

INDISCRETION OF AN AMERICAN WIFE (1954)

An American woman tries to break off her relationship with her Italian lover.

Dir: Vittorio De Sica Cast:  Jennifer Jones , Montgomery Clift , Gino Cervi .

BW-63 mins, CC,

9:45 PM

LAST OF SHEILA, THE (1973)

A game of murder among wealthy vacationers turns into the real thing.

Dir: Herbert Ross Cast:  James Coburn , Raquel Welch , Dyan Cannon .

C-119 mins, Letterbox Format

12:00 AM

SUPER COPS, THE (1974)

Two rogue cops enlist a streetwalker to help them stop a deadly drug ring.

Dir: Gordon Parks Cast:  Ron Leibman , David Selby , Sheila Frazier .

C-94 mins, CC, Letterbox Format

1:45 AM

O LUCKY MAN! (1973)

Dir: Lindsay Anderson Cast:  Malcolm McDowell , Ralph Richardson , Rachel Roberts .

BW-173 mins,

24 Wednesday

8:00 PM

ONE MILLION YEARS B.C. (1966)

A rebellious caveman leaves his tribe in search of a better life.

Dir: Don Chaffey Cast:  Raquel Welch , John Richardson , Percy Herbert .

C-100 mins, Letterbox Format

10:00 PM

SHE (1965)

Explorers uncover a lost kingdom ruled by an immortal queen.

Dir: Robert Day Cast:  Ursula Andress , John Richardson , Peter Cushing .

C-106 mins, CC, Letterbox Format

12:00 AM

LOGAN'S RUN (1975)

A future police officer uncovers the deadly secret behind a society that worships youth.

Dir: Michael Anderson Cast:  Michael York , Richard Jordan , Jenny Agutter .

C-119 mins, CC, Letterbox Format

Jane Fonda handles a variety of phallic objects in Barbarella.

2:15 AM

BARBARELLA (1968)

An over-sexed space agent takes on a dictator and an amoral queen.

Dir: Roger Vadim Cast:  Jane Fonda , John Phillip Law , Anita Pallenberg .

C-98 mins, Letterbox Format

25 Thursday

10:00 PM

BRAINSTORM (1983)

A scientist battles the military for control of a machine that records sensory experiences-including death.

Dir: Douglas Trumbull Cast:  Christopher Walken , Natalie Wood , Louise Fletcher .

C-106 mins, CC, Letterbox Format

12:00 AM

ENTER THE DRAGON (1973)

A U.S. agent enters a martial arts tournament to spy on an international super-villain.

Dir: Robert Clouse Cast:  Bruce Lee , John Saxon , Jim Kelly .

C-102 mins, CC, Letterbox Format

2:00 AM

SOYLENT GREEN (1973)

A future cop uncovers the deadly secret behind a mysterious synthetic food.

Dir: Richard O. Fleischer Cast:  Charlton Heston , Leigh Taylor-Young , Edward G. Robinson .

C-97 mins, CC, Letterbox Format

27 Saturday

Bam! Zowie! 1949's The New Adventures of Batman and Robin serial begins on the 27th.

10:00 AM

BATMAN AND ROBIN: BATMAN TAKES OVER (1949)

Episode One of the Batman and Robin serial.

BW-26 mins,

28 Sunday

8:00 PM

GODZILLA VS. MONSTER ZERO (1970)

Aliens try to use Godzilla, Mothra and Rodan to take over the planet.

Dir: Inoshiro Honda Cast:  Nick Adams , Akira Takarada , Kumi Mizuno .

C-93 mins, CC, Letterbox Format

10:00 PM

GODZILLA, KING OF THE MONSTERS! (1956)

Nuclear tests awaken a prehistoric monster.

Dir: Ishiro Honda Cast:  Raymond Burr , Takashi Shimura , Momoko Kochi .

BW-80 mins, CC,

12:00 AM

PASSION OF JOAN OF ARC, THE (1927)

In this silent film, Joan of Arc braves the threat of torture to stand fast for her beliefs.

Dir: Carl Th. Dreyer Cast:  Maria Falconetti , Eugene Silvain , Antonin Artaud .

BW-82 mins,

Godard's jazzy Band of Outsiders on the 28th.

2:00 AM

BAND OF OUTSIDERS (1964)

Two crooks obsessed with Hollywood crime movies plot a big heist.

Dir: Jean-Luc Godard Cast:  Anna Karina , Sami Frey , Claude Brasseur .

C-96 mins,

3:45 AM

JULES AND JIM (1962)

A tempestuous beauty comes between college friends.

Dir: François Truffaut Cast:  Jeanne Moreau , Oskar Werner , Henri Serre .

BW-106 mins, Letterbox Format

29 Monday

11:15 PM

MAGICIAN, THE (1959)

A traveling magician must outwit townspeople out to prove him a fake.

Dir: Ingmar Bergman Cast:  Max von Sydow , Ingrid Thulin , Naima Wifstrand .

BW-100 mins,

1:15 AM

HANNAH AND HER SISTERS (1986)

Three sisters deal with their tangled relationships amidst the wonders of New York City.

Dir: Woody Allen Cast:  Woody Allen , Moses Farrow , Michael Caine .

C-107 mins, CC, Letterbox Format

3:15 AM

EMIGRANTS, THE (1971)

An impoverished farming couple decides to move from Sweden to the U.S. in the 19th century.

Dir: Jan Troell Cast:  Max von Sydow , Liv Ullmann , Eddie Axberg .

C-151 mins,